N I K O L A I

F O S T E R


T H E A T R E  D I R E C T O R





Nikolai Foster was born in Copenhagen, Denmark and grew up in North Yorkshire. He trained at Drama Centre London and at the Crucible, Sheffield.



His work has been seen in many of the UK’s leading regional theatres, touring houses, in London and internationally. Foster has been director on attachment at the Sheffield Crucible, the Royal Court Theatre and National Theatre Studio and served as an Associate Director at the West Yorkshire Playhouse, Leeds.



In January 2015, Nikolai will take up his role as Artistic Director of Curve, one of the UK’s most exciting regional theatres.



http://www.curveonline.co.uk/news/curve-appoints-nikolai-foster-as-new-artistic-director/



Recently, Foster has directed acclaimed productions of Howard Goodall & Melvyn Bragg’s The Hired Man (St. James Theatre, London); Jonathan Harvey’s Beautiful Thing (20th anniversary production - Arts Theatre, London & 2015 touring revival); a brand new production of Calamity Jane, which he also adapted (Watermill Theatre, Newbury & National Tour); Brecht’s The Good Person of Sichuan (Mercury Theatre, Colchester); Sherlock Holmes - The Best Kept Secret by Mark Catley (West Yorkshire Playhouse, Leeds); Shelagh Stephenson’s The Memory of Water (New Vic, Stoke & Stephen Joseph, Scarborough); the European premier of Morris Panych’s The Dishwashers (Birmingham Rep & National Tour); Sondheim / Furth musical Merrily We Roll Along (Clwyd Theatr Cymru); The Diary of Anne Frank (York Theatre Royal & The Touring Consortium); a major new production of the Broadway musical, Annie (West Yorkshire Playhouse, Leeds); Shakespeare’s As You Like It (Grosvenor Park Open Air Theatre, Chester) & Macbeth (Singapore Repertory Theatre, Fort Canning Park, Singapore).



Further work includes : the Bernstein / Laurents / Sondheim musical West Side Story (National Youth Music Theatre, Victoria Warehouse, Manchester); Kipling’s The Jungle Book adapted by Stuart Patterson & BB Cooper (Citizens’ Theatre, Glasgow); Roald Dahl’s James and the Giant Peach (Birmingham Old Rep & National Tour), adapted by David Wood, with original songs by Grant Olding; the Kander, Ebb & McNally musical play, Kiss of the Spider Woman (Arts Ed, London); a new adaptation of Dickens’ Great Expectations by Tanika Gupta (Palace Theatre Watford / ETT / National Tour); Flashdance (Shaftesbury Theatre, London), an original musical by Tom Hedley, Robbie Roth & Robert Cary; two major revivals of plays by Noel Coward : Hay Fever (Chichester Festival Theatre) & A Song At Twilight (Theatre Royal Windsor & National Tour); Ayckbourn’s Absent Friends (Oldham Coliseum & Harrogate Theatre); Bryony Lavery & Jason Carr’s A Christmas Carol (Birmingham Rep 2009 & West Yorkshire Playhouse 2010), Barry Hines’ Kes, adapted by Lawrence Till (Liverpool Playhouse & National Tour); David Essex’s All the Fun of the Fair (UK tours 2008/09 & 2010/12, also on film, released Autumn 2012); Dempsey and Rowe’s The Witches of Eastwick (National tour); Boucicault’s London Assurance (Watermill Theatre, Newbury & National Tour); Shaffer’s Amadeus (Crucible, Sheffield); a new production of Andrew Lloyd Webber, Charles Hart & Don Black’s Aspects of Love (National Tour & Nelson Mandela Theatre, South Africa); Orwell’s Animal Farm, Louise Page’s Salonika & Amanda Whittington's Bollywood Jane (West Yorkshire Playhouse, Leeds); Johnson’s Dead Funny (Oldham Coliseum); Shakespeare’s A Midsummer Night’s Dream (Mercury Theatre, Colchester); Leoncavallo’s Pagliacci (Pegasus Opera & English Touring Opera - National Tour); the Sondheim / Weidman musical play Assassins (Crucible, Sheffield); Ayckbourn’s Season’s Greetings (Liverpool Playhouse); Steinbeck‘s Of Mice and Men (Mercury Theatre, Colchester); Williams’ A Streetcar Named Desire (Clwyd Theatr Cymru); Corneille’s The Liar - translated and adapted by Ranjit Bolt (Cochrane Theatre, London) & A Chorus Line (Crucible, Sheffield).



@NikolaiFoster